Good question, to begin with
Quite simply this is the path that in my personal years of training before and in those as a trainer after I found to be the most efficient and stimulating.
Quite simply this is the path that in my personal years of training before and in those as a trainer after I found to be the most efficient and stimulating. It is a totally personalised path defined with the student after careful analysis and comparison. Don’t fall into the error of classifying it as a habit, it’s not the result of the somewhat fleeting luxury of a haute couture dress. It is not an image, not a trivial practicality, but a commitment and self-denial aimed at achieving specific objectives of higher education, studied and planned together, in the most profitable way possible. If this training path is exploited to its maximum potential it will certainly be the most concrete and efficient (yes, also economically) to achieve high goals and master them with competence.
The objective of the Creative Lab Studio in a One on One is to provide all the tools so that the student can, with his unavoidable commitment, obtain a tangible leap in quality in the ‘conception, creation and post-production of their images. A One on One course is therefore not and does not want to be an indication of a specific expressive/communicative way, but rather the effective transfer of all those tools (mental and technical-practical) that can be of fundamental help in the realization of their works of creativity and technique.
A One on One therefore starts from a careful 360° analysis of the starting conditions, examining and comparing the perceived limits (be they of approach or technical realisation) and evincible from the works of its portfolio that will be analysed together. A detailed tailor-made plan will then be defined in order to achieve stable and concrete objectives in the shortest possible time. There is no standard and predefined duration of a One on One path (generally divided into stages), it will be evaluated and proposed after the analysis phase, together with the consequent and clear cost estimate for maximum transparency.
The topics covered will be, in substance, not dissimilar to those covered in the collective workshops. With the difference that they can obviously be extended and deepened to a very different extent, thanks to the greater time available and the complete definition of the program based on the exact needs of the student. Therefore, it will be possible to deal with both issues related to the conception and shooting phase and advanced post-production.